Romantic Living

I realize the title of my first piece sounds like a Redbook article. It isn’t. Yet. But, I thought for my first post it’d be good to introduce myself by talking a little about how I’ve come to do, and view, Romantic studies and, in so doing, gesture towards why I think our field is particularly special. I do this because as we’re making the turn toward the end of an academic term it’s good to pat one’s self on the back and to do the same for others pursuing similar interests. In order to rescue this piece, however, from being mere intellectual biography, which admittedly would be pretty drab, I hope some of you reading will chime in in the comments about what your initial experiences were that initiated you into the field and how that informs (or doesn’t) the work you do now.
I’m generally positioned in eighteenth and nineteenth century art, and moving towards specializing in Blake studies in the Department of Art History at the University of Oregon. What I’ve loved from the beginning about Romantic studies is how my intellectual, social, political, and environmental commitments can exist as an integrated whole—life as a romanticist has to some degree, for myself, as I know it has for others, always functioned as a way of living as a type of art in itself.  Continue reading “Romantic Living”