Studies in Romanticism: An Assistant’s Perspective

By Talia Vestri

This post discusses some of my experiences as an Editorial Assistant for Studies in Romanticism since 2012. These are, of course, my own experiences in journal publishing, and all journals probably work differently, having their assistants focus on different tasks. Below, I offer some reflections about the job and my copyediting projects. In my next posting, I’ll offer a follow-up conversation with SiR editors, including some advice on the publishing process and insights for grad students—so stay tuned! Continue reading “Studies in Romanticism: An Assistant’s Perspective”

Join the Red Pen Society: an argument for copy editing

Editing is the bane of my existence. It’s monotonous. It’s time consuming. It’s well, hard. Choosing what words and sentences to amend or even eliminate often feels like butchering your own children. But what happens when you are entrusted with someone else’s baby? Acting in an official editing position in any capacity, be it for a manuscript, article, or publication of any kind, is an honor and a privilege—albeit a terrifying one.
Maybe you are one of the lucky ones, and taking out a red pen or sitting with a large cup of coffee at your computer with thousands of words waiting for the guillotine of your keystroke is an exciting task, not a daunting one. Bless you. Despite my undergraduate degree in journalism and years spent as a school newspaper editor, I still struggle with copy editing. But I am trying to change. Continue reading “Join the Red Pen Society: an argument for copy editing”

Interview: Dr. Patricia Fara

The Romantic Period’s scientific achievements affected all aspects of writing and poetry, especially as the public witnessed new discoveries. Captain James Cook’s circumnavigation of the globe influencing Coleridge’s writing of “The Rime of the Ancient Mariner” and William Bligh’s mutiny on the Bounty influencing Byron’s “The Island” are two examples of this fascination. Joseph Banks, an English naturalist, botanist, and patron of the natural sciences participated in Captain Cook’s voyage and has remained an important figure in Romantic science scholarship as well as the history of science.
Dr. Patricia Fara is one of the scholars who has written about Banks and Romantic science. Famous for publishing work beloved by both academia and the wider public, Fara urges scholars to resist limiting themselves with disciplinary boundaries, categorizations, and stiff formalities. Filled with fascinating historical context and beautiful prose, reading Fara’s work is both intellectually stimulating and fun. Continue reading “Interview: Dr. Patricia Fara”

Romantic Web Communities

One of the great advantages we have as scholars is the opportunity to form communities beyond our institutions — not just at annual conferences in remote locales, but also in ongoing conversations on the web. These online communities are fora for scholarly dialogue and informal queries, requests for crowdfunding special projects and historical sites, and repositories of archival material. Here’s a brief roundup of selected sites, listservs, and communities available to Romanticists (and if you know of more, please get in touch!).
Academic listservs:
(1) NASSR List — the list of the North American Society for the Study of Romanticism (subscription required). The list is frequented by many major scholars in the field, but also graduate students and junior faculty; this is a particularly excellent resource for answers to obscure and arcane historical questions, and for links to major awards and opportunities in the field. Continue reading “Romantic Web Communities”

Will the Real Mr. Darcy Please Stand Up?

By Talia Vestri

Jane Austen was in the news again last week—I know this, because when I log onto Google News, it offers tailored entries based on my previous web searches and sticks them right at the top of the feed. I honestly don’t know whether to be delighted or terribly disturbed by this fact. But artificial intelligence issues aside, I found this most recent bout of Austenmania to be quite a curious one.
It’s not a rare occasion these days that Miss Jane appears in the news, especially during this decade that celebrates “200 years since…” each of her famous tomes, published during the 1810s. Austen’s popularity endures: in 2013, Britain announced it will finally commemorate her in currency (Austen will appear on the 10-pound note, beginning in 2017) and last month she even got a musical in Chicago.
The most recent news cycle that got my attention (to be fair, it was hardly a sidebar item) highlights a new book that claims to make a striking and long sought-after discovery: the “true” identity of the real-life Mr. Fitzwilliam Darcy—and (sadly) it’s not Colin FirthContinue reading “Will the Real Mr. Darcy Please Stand Up?”

Proposing a Special Session for MLA

By Talia Vestri

Last week, I submitted a panel proposal for the next MLA convention in January 2016. (alternative title for this post: What was I thinking?!?)
I was motivated, in part, by an important realization about my own position on the academic career ladder:

There comes a time in every young scholar’s life when she must realize that she is no longer part of the junior graduate cohort. Suddenly there are an uncountable number of faces that you don’t recognize around the department, and conversations being held about seminars you didn’t even know were being offered. This signals only one thing: you’re now horrifyingly closer in position to that new assistant professor who just got hired than you are to the first-year doctoral students. You are more scholar than student, more faculty than freshman. (When did this happen, exactly?!)

Continue reading “Proposing a Special Session for MLA”

NGSC E-Roundtable: The Pedagogy of Romanticism

INTRO: Renee Harris, Emily Zarka, and Daniel Nutters will focus their roundtable discussion on pedagogy around two essays by Mark Edmundson included in his recent book Why Teach? In Defense of a Real Education. The essays are entitled “The English Major” and “Teaching the Truths” and were previously published in The Chronicle of Higher Education (June 29th, 2013) and Raritan (23.1) respectively.
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While Why Teach? contains a polemic against the bureaucratization of education and the corporate logic of professionalism that governs academia, it also offers a vision of a “real education” that rests upon many assumptions inherent to what we now call “romantic ideology.” What makes this book, and especially the two essays we will consider, such an appropriate text to consider for a roundtable on pedagogy on the NASSR Graduate Student Caucus blog is the manner in which it demonstrates the continued relevance of such highly charged categories as “genius,” “imagination,” “truth,” and all the motifs of a “natural secular” theology of art. At the core of Edmundson’s thinking is not just a familiar and clichéd humanist vision, but one that has survived the culture wars (see Edmundson’s edited volume Wild Orchids and Trotsky), the apparent anti-humanist theory (or as he puts it anti-literature philosophy) of the 1970s and 1980s (see his Literature Against Philosophy). Absorbing these consequential intellectual events has allowed Edmundson to assess our current academic scene and argue for a vision of education that builds upon his own experience of the changes witnessed and occurring in higher education. Continue reading “NGSC E-Roundtable: The Pedagogy of Romanticism”

Objective Reading

Reading is not one thing but many. Most of all, reading is not passive. “In reality,” writes Michel de Certeau in the opening of The Practice of Everyday Life, “the activity of reading has on the contrary all the characteristics of a silent production.” But what are we producing? And what does the scholarly practice of reading do to this production?
As graduate students we often expect ourselves somehow to swallow texts whole—to get them. We try mightily to read texts simultaneously in terms of their own coherence, elisions, and indeterminacies as textual systems, of their unconscious procedural expression of determinant historical conditions of possibility, of their own stated and unstated relations to their intellectual precursors, and in the light of their reception by scholars or later links in the canonical chain; we strive to keep in mind texts’ political ramifications, how their formal-generic elements engage with other morphologically-related texts, and their relative sympathy or antipathy to various major philosophical concerns or strands of ideological critique; we read texts to find out whether we can instrumentalize our readings for the purposes of conference papers, dissertation chapters, or course syllabi—and maybe to determine whether we like them. More often than not, while reading I am also planning on passing along certain passages to colleagues or photocopying them for friends outside of the academy; wondering whether I could get a pirated PDF instead of waiting the several days for Interlibrary Loan or maybe shelling out the cash for a nice sixties paperback copy of my own, speculating about the biography of the author or the business-end realities of the academic press in question, and so on. Continue reading “Objective Reading”

Planning My First Brit Lit Survey

At my university, the opportunities to teach an upper-level course are present but few. After passing comprehensive exams, you can apply to teach a survey course corresponding to your area of specialty. The second-half of British literature is particularly hard to come by, and typically a PhD candidate gets to teach it once before graduating. This is my semester, and I am thrilled!
I have been teaching general education classes for six years. I can count the number of English majors I have taught on one hand. But now, I have two full classes of English majors or minors, who ask me questions like, “Percy Shelley? Any relation to Mary Shelley?” (Isn’t it crazy to remember a time when we didn’t know every intimate detail of the Shelleys’ marriage?).
I am two days in. And here’s what I can report so far: I love my job.
Continue reading “Planning My First Brit Lit Survey”

Dissertating with a Hammer: An Idiot’s Generalizations on Scholarship and Activism

I begin with two passages that will be the epigraphs to my dissertation:

Few critics, I suppose, no matter what their political disposition, have ever been wholly blind to James’s greatest gifts, or even to the grandiose moral intention of these gifts … but by liberal critics James is traditionally put the ultimate question: of what use, of what actual political use, are his gifts and their intention? Granted that James was devoted to an extraordinary moral perceptiveness, granted, too, that moral perceptiveness has something to do with politics and the social life; of what possible practical value in our world of impending disaster can James’s work be? And James’s style, his characters, his subjects, and even his own social origin and the manner of his personal life are adduced to show that his work cannot endure the question.

Continue reading “Dissertating with a Hammer: An Idiot’s Generalizations on Scholarship and Activism”